STAR Magazine: Scans and Analysis (Issue 659, 24/10/16)

This is working towards objective 1.

I came across this weekly magazine in my local CO-OP whilst waiting in a queue. I do not normally purchase such magazines, however felt obliged to purchase this in regards to research purposes. I saw the cover and was instantly taken back by the relevance in association to my research question, and more relevant, my current exploratory practical works and concepts focusing on the fashion and beauty industries and how they can unknowingly at times, affect our self-perception.

I have used Kylie Jenner as a focus throughout one of my initial projects being a natural progression from the success of initial one-off Instagram posts focusing on the power of her icon status and subsequent beauty brands, in turn influencing our self-perception through a following of almost 80m on Instagram, in addition to her app and TV shows for example.

Furthermore, the idea of competition within this article was intriguing, “Kylie tried to steal Kim’s crown” especially between two sisters, with Kylie in the photograph shown on the cover below, donning a Kim Kardashian ‘pose’ and donning a similar physique. At the same time, she is consciously pulling up her top to reveal her body, taking the photograph herself, showing how technology and media can drive a media storm making front page ‘news’. Being conscious of this Kylie is objectifying herself (self-objectification) knowing what sort of reaction she will receive from her following and the media alike. But does this self-objectification and narcissist trait perhaps, resonate with the ‘icon’ themselves that they are causing potential damage to those who view such imagery and articles, altering their perceptions and beliefs in turn? It is obvious that magazines such as Star, have no objection with objectifying, and showcasing women theirselves in order to gain sales.

Furthermore, as also touched on in my previous research and practice is the current fad of ‘lip fillers’ within the beauty and fashion industries, with celebrities, bloggers and icons alike seen with such augmentations. In addition to this, on the cover are also procedures such as ‘nose jobs’ and bottom implants. What I did notice however was that even though the headline “surgery shockers” at first appears quite negative, with the subtitles supporting this negativity in a sense of shock of ‘bad changes’ and bad perceptions. None of these procedures and the ‘finished looks’ have been seen as ‘beautiful’, ‘ideal’ or ‘perfect’ by the writers, and have instead been relayed with such terms as “destroyed her lips” and “wonky” suggesting to the reader, for once, that perhaps this is not such a good idea and infact can cause judgements and negative perceptions. Will this overtime impact on ones self-esteem through the gaze of others, leading to the self-surveying gaze to shine through and alter ones body again – but was this why the surgery was done in the first place? And are they changing due to feeling like they don’t fit in? This is resonant of Tafjel and Turner’s (1979) Identity theory where one may change their appearance to ‘fit in’ being “out-group”, and by making such changes to become “in-group” they feel as though they will be ‘accepted’. I believe that this is the same for celebrities and icons, feeling the need to compete and constantly comply with trends and the actions of those around them in-order to maintain a positive identity, and sense of positive self-perceptions. However, this as also noted in Taflej and Turner’s (1979) model that this cycle can cause depression, mental health issues, anxiety and eating disorders for example.

I feel looking at this cover alone, I have already noted Fredrickson and Robers (2008) Objectification and Self-Objectification theories, Tafjel and Turners’ (1979) Identity Theory, Shields (2013) Self-Surveying Gaze and Bem’s (1972) Self-Perception theory, and feel as though these can be relayed throughout the articles also noted below, but more importantly show how many issues, topics and debates can arise from only a very small segment of research and examples. I feel also that this cover alone evidences many of the points I have made, or am trying to raise through my current practice and research, and feel it is research and current examples such as this which evidence and satisfy my research question.

I am interested to compare such covers and articles to that of more ‘highbrow’ magazines to see comparatively how such topics of discussion are relayed in regards to both, copywriting and visuals.

I have made bullet points below in regards to the other scanned in articles, in relation to my research question, research to date and current practice.

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Above – left page:

  •  ‘Thigh-gap social media fad’ as noted in previous research in relation to Luisa Omielan and Anne Robert’s “Body Image Secrets” documentary, being explicitly showcased by Kylie Jenner due to her body positioning and pose.
  • Competitive tone used in headline suggesting competition with one and other, even siblings, to be perceived as the ‘best’, ‘perfect’, ideal’ both in terms of figure, beauty and social media status.

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Above:

  • Highlights previous research and focus in practical work (Instagram posts/well being campaign proposal) on photo-manipulation using photoshop, filters and apps.
  • This article notes the “fails” of doing-so which highlights to me how this could then alter one’s perception and self-perception through being exposed to having a different physique as put out for so long in the media, whilst using such editing methods can also be frowned upon by those who look unto icons, but then do it themselves, hinting also at double standards. This is also noted above in the article, “What a hypocrite! Telling young girls not to get plastic surgery yet she photoshops a photo to make herself look thinner”.
  • “All this photoshopping just shows how inadequate they feel about themselves” is a quote from a ‘commenter’ quoted by Star, highlighting the points made above.
  • Photoshopping and any form of photo-manipulation – does this highlight our insecurity of our identities and by making such changes one attempts to alter this in order to ‘fit in’ and be accepted?
  • Highlights the heavily researched and discussed topic of ‘natural’ within the beauty industry currently, especially in relation to Tarte cosmetics for example (see previous posts). The same taboo topic is also noted in the article, “fans have blasted her a hypocrite for altering her snaps, after she recently promoted natural beauty with an anti-survey campaign” after having a range of procedures done such as, breast augmentations, lip fillers and botox, and previously admitting she had gone overboard.

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Above:

  • I found this page in particular interesting showcasing celebrities in their ‘natural’ state which I found quite compelling in a positive way. I feel even though these types of magazines are usually know for their celebrity filled covers and brash headlines, however feel very surprised by how none of these articles really in a direct way encourage lip fillers for example. Above shows another example, relaying to the viewer that celebrities are real people, and do not look flawless all the time. However, as shown below, ways to then change ourselves are advertised on a following page showcasing new and on-trend beauty products.
  • Some of the quotes used and comments made resonate with the idea of self-perception, identity and belonging as under ‘Ashley Greene’, it is noted “it’s nice to know [she] looks just like us”, almost seeking acceptance and validity for how we look without makeup. Furthermore, celebrities such as Charlotte Crosby have been recorded stating “EmbraceTheForeHead tag a friend who has a MASSIVE forehead” allowing her social media following to know that she is okay with her insecurities and wants you to be okay with yours, and your friends, and hers also. I feel that this is something which could be done by ‘icons’ perhaps in ‘even higher places’ with much much influence, however this would then damage their reputation and the identity they have built through shaping perceptions.

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Above:

  • As previously noted above, even though the articles analysed do not directly encourage one to go and get plastic surgery for example, and in fact does shed a more negative light on it than a positive change, a few pages later, a beauty page appears with ways in which are encouraged in order to change your appearance to reach an ‘ideal’ or a certain look, as shown by featuring Cheryl Cole as a visual reference.
  • I also found it interesting that sponsored products (L’Oreal) are noted in regards to Cole, and therefore maintains her reputation and identity built with the brand, whilst also her image, and power to sell products in order to get the exact look she has been photographed wearing, is only in the best interest of the brand. Therefore, often our perceptions and self-perceptions are designed and curated by the brand and icon powers at large at a particular moment in time.

Source:
STAR Magazine, Issue 659, 24th October 2016

International Research Trip to Japan: Booked for 16th – 23rd January 2017

This is working towards objective 1, 2, 3 and 5.

I have recently confirmed and booked an International Research Trip as part of my MA Creative Practice studies, in order to understand on a cross-cultural level how the Beauty and Fashion Industries affect our sense of body image and self-perception. I feel in contrast to the UK, where many women fake tan to achieved ‘a desired look’ for instance, in Japan, women are known to use ‘skin-lightening’ products to acquire a more Western skin tone. Furthermore, as noted in my Professional Context Presentation 1 research it is clear that Vogue Japan takes its design influences from its Japanese heritage and culture, but content wise projects a Western ideal, and ways to achieve this, be it though diet, exercise, clothing, skincare or makeup. In addition, as also noted within the same blog posts and context, many Japanese women use apps such as BeautyPlus to alter their appearance digitally prior to posting on social media, whether this be changing their skin tone, or widening their eyes for that, ‘ideal’ look. Examples of the above can be found below:

[Discussion continued below]

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vogue-japan-2Above Images: Scans from Personal Collection

Above shows scans taken from a recent June 2016 edition of Japan Vogue, which focuses on beauty products with specifically-created formulations to lighten skin and help naturally ‘widen eyes’, and leg exercises in order to elongate them to achieve the ideal ‘long leg’ as boasted by Western people in relation to the average sized Japanese woman for example, whilst also coincidently being the ‘ideal’ showcased through their cover models, photoshoots and content alike.

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‘Cultural Icons’ as talked about by Mary F. Rodgers in “Barbie Culture” states that these are commodities which are shaped to consumer needs, trends and changing ideals. Is this why Japan Vogue features little Eastern models for their covers and editorial photoshoots? This is shown above with cover model, and ‘Cultural Icon’ Kendall Jenner. The content also is usually very Western promoting Western ideals and beauty trends as noted above. I would like to see whilst in Japan whether National magazines use more Eastern models in relation to International Magazines which have ‘spin-off’ editions. I also want to look at this as noted below in more detail, in regards to Fashion houses and brands, and whether Western models are used mainly to generate sales and brand engagement to being ‘cultural icons’ who still remain known to all but change as needed to, and whether in relation to this identities and native cultures are affected, whilst also affecting the self-perception of the population? As noted in previous research Editors are usually responsible for selecting what is included in a magazine content wise, and therefore am interested in looking into the associative Instagram account, website and social media pages, to see if this use of Western models, ideals and trends follows suit with a platform which reaches a larger, and International target audience. Would this affect content selection, whereby Japan Vogue magazines themselves are extremely hard to come by in the UK and therefore, most likely other Western countries also?

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Above shows an Advertising campaign for Uniqlo, a Japanese brand using Western models to promote their garments. I am interested to see whilst in Japan the ratio of Japanese to Western models used across Beauty and Fashion brands, especially for those whom are based in the US or UK for example. I am particularly interested in looking at Japanese brands such as Uniqlo whilst over in Japan also to see what their in-store promotional materials are like in comparison to those in their London store (trip booked for 7th & 8th Jan 2017 prior to visiting Japan), i.e. models, makeup used, etc. I also would like to find out why Western models are sometimes used with Japanese brands, and again with Japanese magazines? Is it due to the demand for Western culture? Is it escapism of the religiousness and pre-set cultures of Japan? These are questions I am wanting to explore and research further.

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I found the above interesting as discussed in my presentation, as Emma Watson is being portrayed as the ‘English Rose’ promoting the idea of porcelain skin of the West, to those in the East. In response to this campaign, I came across this quote whilst researching which raised Feminist issues which I had not previously considered. 

The author of the piece ‘Perfect Whiteness: The Code Switching of European Cosmetic Companies’ wrote: “Emma Watson, forever paraded in the media as a white feminist icon, is the face of Lancôme’s “Blanc Expert” (Expert White) which contains disruptive ingredients intended to whiten the skin. Non-white women already have complexes about dark skin rooted in colonialism, racism and/or classism. They are exacerbated by these multimillion $ £ € campaigns designed to make us feel like our skin is a problem that we can pay for them to solve.” This made me think about issues in Japan which I should research into further prior to embarking on my visit. These are issues such as Identity, Classism, Economy and Religion for example, which may expose further the need for the East to feel as though they should conform with the West, whilst also thinking about this from a Feminist point of view, whilst sparking further thoughts on a Japanese campaign using a Western model as the face of the product and how this effects self-perception across the Japanese nation itself.

[Discussion continues]

I have always found this fascinating, and have always collected International editions over the past 15 years or so, building up a multi-cultural archive of my own and can’t wait to explore Japan and see culturally how it differs to ours at time where social media and magazines are generating new cultural icons on a regular basis, projecting new ideals also on to us in regards as how to look, and how to achieve this.

Furthermore, working with clients on an international basis over the past few years has highlighted the importance of understanding cross-cultural contexts in order to create relevant pieces of design work which communicate with the right audience, in the right way.

Whilst in Japan I hope to conduct various forms of field research, and to look into topics such as:

  • Are Western or Japanese models being used to advertise Japanese brands such as Uniqlo?
  • Are Western or Japanese celebritiess/icons being used for brand endorsements?
  • Skin-lightening fads
  • Product Innovations, Technologies and Trends
  • Who is on the cover of their fashion, beauty, hair magazines for example?
  • Photo booths which apply the BeautyPlus style filters to printed photos
  • How is Western body image and beauty reflected in Japanese magazines, i.e. Vogue Japan, Nylon Japan.

I plan on speaking to various forms of people and plan on using some of the following research methods:

  • Questionnaires/Surveys
  • Asking Questions
  • Focus Groups
  • Interviewing Bloggers/Vloggers
  • Talking to Magazines/Designers/Media/Industry Experts/Professionals

Over the next few weeks I plan on speaking to my contact in Japan, Charlotte Stacey, a Character Artist whom works for Disney Tokyo, in order to start speaking with translators, should the need arise, and to also start researching bloggers, for example to contact, whilst also putting out initial emails to magazines and organisations such as Vogue Japan and Uniqlo. Regarding this I will update my blog accordingly, and plan a schedule for my time there, to ensure that I use the opportunity to its full potential.

B-EAT: Policies and Media Guidelines

This is working towards objective 2 and 5.

I wanted to look more into B-EAT’s Policies and Media Guidelines as a National Organisation and Charity working with a range of media and healthcare professionals to ensure that Eating Disorders are dealt with compassionately, accurately and factually.

By having a range of Media Guidelines, which can be seen below, this allows for brands, organisations, individuals, multi-media organisations and reporters for example, to be aware of good practice regarding such sensitive topics. B-EAT are known to of assisting ITV write storylines in Emmerdale accurately, to ensure that the Nation, and International countries where the show is aired, receive an accurate interpretation of the illness to sympathise and empathise accordingly in a delicate and relevant manner.

The policies and guides cover topics from Media Myths, Facts, Figures and Statistics, Copywriting Assistance, Interviewing and Reporting, Data Protection/Confidentiality and Image Use to ensure fair practice.

I feel that as a whole this is very important for anyone working with such topics within the media, be it TV, Advertising Agencies or Local Councils to ensure that fair practice is carried out nationally, whilst ensuring that the most recent information and up-to-date data (facts, figures, statistics) is accurate.

I do feel however that under Image Use more could be said regarding outlining a guide for appropriate sized models, and BMI of models that should support the fashion industries for example. This is something which some Fashion Weeks and Brands enforce independently nationally and internationally, however introducing this on a national level I believe would be very beneficial in regards to helping to alleviate self-perception and body image issues but to also support the recovery of eating disorder patients, opposed to discourage it via using ‘thinspiration’ as noted in the policy notes below. I do understand however, that being a national organisation and charity, they have to legal rights to enforce such ‘laws; per say and can only help, and advise.

Furthermore, I feel the information below along with other information on B-EAT’s website will really help with research, factual information and data when I begin working on my ‘Wellbeing Campaign’ project.

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Source:
B-EAT. (2016). Media Guidelines. Available: https://www.b-eat.co.uk/assets/000/000/072/BeatMediaGuidelines_original.pdf. Last accessed 23rd October 2016.

Tickets Booked: Luisa Omielan – What Would BEYOND Do?!

This is working towards objective 2 and 3.

Following watched the BBC ‘Body Image Secrets’ documentary, and researching further into comedienne Luisa Omielan whom was interviewed by Anne Robinson during the show regarding her powerful voice of sharing the message of self-love and standing unto issues of self-perception enforced on us by the media.

Upon further research and watching her show, “Am I Right Ladies?” online, I found out that she has her next stand-up show on December 5th in Leeds, and have therefore booked a ticket to see her newest stand-up show, “What Would BEYOND Do?!”.

Luisa Omielan is a stand-up comedienne from London.

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I feel even though Luisa is a comedienne, she is spreading the message about self-perception and body image, through satirical and light-hearted, yet serious ways resonating with my own research studies and practical projects I am currently working on. After watching her first stand-up show online, I really felt she would be empowering and inspirational to see. I also would be interested to see if it would be possible to talk with Luisa after perhaps for a short interview regarding my research topic.

By going to this event, I am hoping that I will be inspired with ways of tackling my practical work, engage with topics of current interest in a ‘real’ and engaging manner.

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I have also posted a video below showcasing Luisa’s performance focusing on body image, international judgements on women and trends which I found very powerful, funny, and extremely relevant to the serious side of my research question, even though posed in a light-hearted, yet brave and honest manner like my own current work. This sketch is taken from her show, “Am I Right Ladies?”

Source: Luisa Omielan. (2015). Thigh Gap… What Thigh Gap Bitches?. Available: https://www.youtube.com/watch?v=g2MskQOinwE. Last Accessed: 22nd October 2016.
BBC One and Anne Robinson. (2016). Britain’s Secrets with Anne Robinson: Body Image. Available: http://www.bbc.co.uk/iplayer/episode/b080byvs/britains-secrets-with-anne-robinson-3-body-image-secrets. Last Accessed: 20th October 2016.
Luisa Omielan. (2016). Available: http://www.iloveluisa.com. Last accessed 22nd October 2016.

Social Identity Theory – Henri Tajfel and John Turner (1979)

This is working towards objective 1.

The Social identity theory was originated from two British social psychologists – Henri Tajfel and John Turner in 1979, and states that “part of a person’s concept of self comes from the groups to which that person belongs”.

After watching the ‘Body Image Secrets’ documentary on BBC as noted on a previous post, I had questions regarding ‘what natural is?’ and how our ‘identities’ allow us to either fit in, or not with a social group and by change our identity we are more likely to be accepted within said group, and society. This was prevalent with the gym enthusiast couple, Millie and Lanon for example., whereby the every move, was tailored to becoming a certain person and looking a certain way for the approval of others and an increased following on social media platforms such as Instagram.

I wanted to look more into the Social Identity Theory as this was only previously touched on lightly beforehand, and made me question how many of us nowadays do change our identities, whether consciously or unconsciously to ‘fit in’, whether this is changing our looks, how we speak, how we act and what we wear, for example. This was highlighted by Eve, the makeup artist spoken to by Anne Robinson in the BBC ‘Body Image Secrets’ documentary, whereby she noted that she sees images of ‘plumped lips’ and knows that she needs hers done, but is not sure why. This striving to fit in with ideals, celebrities and cultural icons has really made me think about the relevance and the importantance of the Social Identity theory going forward.

Social Identity Theory

“Tajfel and Turner’s social identity theory explains that part of a person’s concept of self comes from the groups to which that person belongs. An individual does not just have a personal selfhood, but multiple selves and identities associated with their affiliated groups. A person might act differently in varying social contexts according to the groups they belong to, which might include a sports team they follow, their family, their country of nationality, and the neighborhood they live in, among many other possibilities[1].”
(Turner, J. C., & Tajfel, H. (1986). The social identity theory of intergroup behavior. Psychology of intergroup relations, 7-24.)

I found the above quote particularly interesting, whilst Turner and Tajfel continue to state that once a person perceives themselves as part of a particular social group, then they are “in-group”, in comparison tho those who do not identify with such groups, therefore becoming “out-groups”, denoting where the “us” and “them” concept comes from in retrospect to this. I found this applicable with much of the research I am currently undertaking, looking at bloggers, vloggers and celebrity icons for example, and how followers become “in-group” changing their identities to certain extents to ‘fit in’, be accepted within the group or community and feel good about their social positioning, where as those who tend not to follow the trends, fads and idealisms of society, form the “out-group” members. Perhaps the “in-groups” feel better positioned as individuals if associated with an identity and a ‘group’ of belonging, following the likes of Kim Kardashian, as Eve noted on the ‘Body Image Secrets’ documentary previously analysed (previous blog post).

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Turner and Tajfel note that there are three main “processes that create this ingroup/outgroup mentality”:

  • Social Categorisation: Recognising people in order to understand and identify them for example, and therefore defining whom we are via groups that we ‘belong to’ or situate ourselves with.
  • Social Identification: Changing our identity to further identify with the people of the group we are longing to be apart of.
  • Social Comparison: Comparing of groups/members of the group via looking at “in-groups” and “out-groups”, which often tends to help with self-esteem and confidence via compliments and encouragements from within the same “in-group”, however also highlights where negativity and poor self-perception issues can arise from.

I feel that the above resonates very heavily with the research carried out regarding social media icons and their following, particularly the comments posted expressing their desire to become “the icon”. I have also posted an example of this below for reference. It also made me realise where the negative comments at times may come from, or the comparison to oneself – social comparison – which may affect self-perfection, self-esteem and confidence and allow for paths to open for identity change in order to feel apart of the “in-group”.

I found the above extremely relevant in regards to identity and social media more than anything, especially in the current climate of use from both the general public and ‘the influencers’, highlighting the differences even more between the “in-groups” and “out-groups” and how this social categorisation has a lasting impact on todays society and cross-cultural communities, leading to social identification changes to begin to take place.

I feel this also links in heavily with the idea of ‘cultural icons’ as noted by Mary F. Rogers in ‘Barbie Culture’ whereby these are the current “in-groups” of todays society, along with models for instance, allowing their followers to be “out-groups” whilst feeling the need to be constantly striving and working towards that standardisation and acceptance amongst a group or community.

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This is further supported with the quote noted below by Turner and Tajfel (1986).

“The reconciliation of social status as tempted earlier needs now to be made more explicit. Status is not considered here as a scarce resource or commodity, such as power or wealth; it is the outcome of intergroup comparison”.

I really resonated with this regarding social groups and communities on social media, particularly Instagram in that in-group members flock almost to one member making them the leader, the ideal, and boosts their social status. I also took from this that social status has become the outcome of social media and the relevant social groups – this can be seen by those whom are taken on sponsored brand trips, such as that to Bora Bora by Tarte Cosmetics. These have reached the ultimate final outcome in regards to intergroup comparison whereby this overtime and the subsequent encouragement as caused their iconsim and therefore their identity.

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My notes below also depict various topics discussed by Turner and Tajfel (1986).

  • There are two types of people, those who are not affected by their social groups, and those that are.
  • Through intergroup comparison overtime one person in the group, as discussed in further detail above, become the leader for others then to identify with and compare themselves and each other too.
  • “Individuals strive to achieve or to maintain positive social identity” – this is particularly prevalent in social media, whether it be ourselves, friends, family, bloggers, vloggers, brands, celebrities, cultural icons, public figures, etc. Nobody wants to be seen in a negative light, and by selecting what we share we can showcase our identity in a positive and accepting manner within our chosen social groups. This is seen throughout images of bloggers, vloggers and celebrities on my previous research posts. This also makes me think about the self-aware and narcissistic side of social media.
  • If we don’t find in a certain social group, we have the ability to move. This is often seen through career changes on Instagram, from makeup artists to YouTube vloggers, and also by celebrities whom release product lines, participate with endorsements and interviews for example, to tailor the audience they are associated with and the social groups they then perceive themselves in and fit within. This can be seen on Instagram via the use of hashtags, and also can be taken from the interview I had with Samantha Ravndahl. As your career and following grows, it appear that you, your social groups and intersocial communication and comparisons change too.

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Source:
Turner, J. C., & Tajfel, H. (1986). The social identity theory of intergroup behavior. Psychology of intergroup relations, 7-24.
Unknown. (2016). Social Identity Theory. Available: https://www.learning-theories.com/social-identity-theory-tajfel-turner.html. Last Accessed: 22nd October 2016
BBC One and Anne Robinson. (2016). Britain’s Secrets with Anne Robinson: Body Image. Available: http://www.bbc.co.uk/iplayer/episode/b080byvs/britains-secrets-with-anne-robinson-3-body-image-secrets. Last Accessed: 20th October 2016.
Unknown. Social Identity Model Image. Available: https://uk.pinterest.com/pin/484770347367805958/. Last Accessed:13th November 2016

 

BBC Documentary – Britain’s Secrets with Anne Robinson: Body Image

This is working towards objective 1.

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Programme Description:

First shown, 8pm, Thurs 20th October 2016.

“Anne Robinson looks good for a woman of 72, but she works hard at it. She’s been on a diet for most of her life, has had a facelift, goes on an expensive biannual detox, exercises nearly every day, has her hair done once a week and spends lots of money on her clothes.

But aren’t younger generations under even more pressure to look good than ever before? She meets the make-up addicts who spend more time getting ready for a night out than on the night itself, a couple of gym obsessives in pursuit of Instagram followers and a young man going under the knife in the hope that he will be ‘perfect’ one day.

Anne wants to know why we’re all so obsessed with our appearance and what’s wrong with being ugly anyway? As a counterpoint to those who are obsessed with their looks she meets some people who very definitely aren’t – from the naturists who let it all hang out, to the young comedian speaking out against body shaming, to outspoken actress Miriam Margolyes who tries to coax Anne to eat more than a lettuce leaf over lunch. Anne also dons a niquab for a day to experience the rare feeling of what it’s like to not be judged on her looks at all.

She also gives two men the chance to delve into each other’s grooming routines. Alex hides his insecurities by wearing up to ten beauty products at a time, while Danny’s idea of grooming is washing his face with water and brushing his teeth. What can they learn from their very different approaches to maintaining their appearance?”

My Notes:
Couple 1 (Lanon and Millie)

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  • Lanon, 22, Personal Trainer
  • Millie, 20, Aspiring Fitness Model
  • Below shows several short transcriptions which I found particularly interesting and resonated with in regards to the influence which social media has upon this particular couple. I found it very interesting also that it was more so the male, Lanon, whom seemed to care more about his image, highlighting a rise in male interests in their looks and self awareness. The amount of control involved in their diets, exercise routines and lifestyles is evidenced heavily the in the documentary, and shows the input required to gain ‘likes’ on Instagram.
  • Another point I took away from this was the denial in that what they are doing, particularly Lanon is ‘natural’. A topic which has raised several times throughout the documentary, and has also arisen both in my research and readings of ‘Barbie Culture’, by Mary F. Rogers, and conversations around the idea of a ‘controlled natural look’ whereby one uses makeup in a minimal manner and still denotes this as ‘natural’; whereby actually, natural would be wearing no makeup at all.
  • The desire and need to be deemed as attractive and ‘accepted’ also came into context during the dialogue below, whereby 10k followers allows you to be ‘rated’ better as a model, or whereby you have to gain your boyfriends approval of your in order to be happy with your body yourself.
  • I also found it interesting that Millie noted that since she has focused more on her body, she has become more critical, self-aware and conscious, stating she would ‘do anything to cover up’ parts of her body she didn’t like.
  • Social media has become a daily part of their life – using the Boomerang app to create loop videos for Instagram, and taking “hundreds” of selfies everyday.
  • Overall, the main key point I took from the conversation Anne had with this couple is that, social media has had a profound affect on what they think they need to achieve physically in order to achieve their career goals, be happy with their bodies and get noticed for magazine articles. Ultimately, both were aiming for fame, and quite clearly playing the game, manipulating their bodies and endorsing social media to their advantage.
03:17 – 04:58 mins
Anne: When you saw Millie in the restaurant what was the first thing about her that you noticed?
Lanon: Well, her looks. I didn’t know her personality then. I imagine she wasn’t wearing much.
A: Would it of mattered if she was slightly overweight?
L: I have a type. The size i am attracted to whether its from promotion and magazines but it’s something I have grown up with, so I don’t know. It’s just a slimmer build.
[Anne talking to Leonard about his figure – what he wants to achieve from the gym. He talks about his current shape]
L: 45inch chest, 27inch waist … which is very, very small
A: Who else would have a 27inch waist?
L: A 15 year old girl?
A: Can we have a look at your waist?
L: [goes shy after bragging and covers his stomach with his arms] oh, please, I mean you can follow me on Instagram, that way you’ll see. Follow my social media.
A: Why are you reluctant to show it to me?
L: People, people are desperate to critique.
[Anne talks about his 130k following on Instagram during VT]
05:59 – 07:00 mins
[Anne talks about how his Instagram following has recently landed him some modelling jobs in voiceover]
L: I’m currently in about 5 or 6 magazine articles a week at the moment. It’s all because of this [holds up phone]
A: And, taking your top off and posing for a shoot is that different from just an Instagram?
L: Very different. The diet you have to do up to the shoot is very, very tough.
A: Like what?
L: It’s very unhealthy but it er, it, it’s up your water to an unhealthy level, and then once you get close to dispute, you cut the water, your body keeps rejecting the water, so you get very, very dry. You’ll then have a lot of carbs and sugar, it will fill your muscles, all that together if you time it right, it, it’s amazing what your body can do.
A: Is it worth it, all that?
L: Yes, it is, because you’re representing an image. If, if –
Anne: – It’s a false image.
L: It’s it’s not, it is an image you have achieved naturally, and just altering my diet to get the image a bit better for the shoot.
07:01 – 08:40 mins
[Anne in Voiceover VT: Millie is equally desperate for a flawless physique that will allow her to be a fitness model]
Anne: How many photos do you take Millie?
Mille: I take hundreds. I want it to be like, perfect and I want to make sure that I like it, and that takes a very long time for me.
A: Because you’re striving for perfection?
M: Until i’m happy.
A: Yeah
M: Bikini photos, do get more, get more likes.
A: Is there a certain amount of Instagram followers that gets you a better rate as a model?
M: They say that 10k followers, your rate doubles.
A: What are you at the moment?
M: 2k followers.
A: So you have 8k to go?
M: Yes I ha-, I’ve got a lot of work to do.
A: The flip side is that, each time either of you put something on Instagram, it’s an opportunity for somebody to criticise you?
L: Absolutely.
A: Who is it to approve of what you’re doing? [to Millie]
M: Probably Lennon, yeah, I want him to be proud of me and to be attracted to me.
L: I’m visually honest.
M: Yeah, he’s very honest.
A: And, who’s important for you in terms of approving of your photographs? [to Lennon]
L: It is, me, I make the decision on what I like or not.
[whilst cooking]
A: [to Millie] are you happy to show off your body?
M: Now i’m paying more attention to my body being in the fitness industry, I feel like my confidence actually is less.
A: is it?
L: That’s, that’s –
M: Yeah. I’ll see something that I don’t like on myself still, I will do anything to try and cover it up.
09:10 – 09:21 mins
A: Would some people be right to say that you might be a bit obsessed?
L: If you put it like that than yes, but, it’s a lifestyle.
A: Would you mind being ugly?
L: i would rather be better looking.
A: [to Millie] would you mind being ugly?
M: Er, I, I’d work with what I’ve got.
A: Okay.

 

I decided not to carry on transcribing from the documentary as it was taking too long to content I would want to talk about, so from here on have paraphrased and included short quotes if needed.

 

Miriam Margolyes:
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  • 75, English Character Actress and Voice Artist.
  • The main point taken away from this conversation between Anne and Miriam was that, Anne said she is “always on a diet”, whilst Miriam notes that she isn’t, and enjoys food, however watches certain types of foods due to health concerns, but is not actually concerned with what she looks like in comparison to Anne, whom chooses to control this aspect by her food choices. This made me think about the prolonged effects of the media and influence, causing eating problems and therefore in some cases eating disorders – “The Costs of Eating Disorders – Social, Health and Economic Impacts report, commissioned by Beat and produced by PwC in February 2015, estimates that more than 725,000 people in the UK are affected by an eating disorder “
  • Miriam notes that she feels she enjoys life more because she doesn’t have the constant worry about her body image. This I can relate to being a recovered Anorexic patient for 4 years, and know that now I feel freer without the constant pressure to conform to societies standards and ideals.
  • Anne notes that “we all have some sort of Barbie doll wish, somewhere, even the most intelligent of us have some sort of strange dream about looking differently”, again going back to the idea of ideals, standardisation, confirmation, perfection and the idea of success which Mary F. Rogers notes in ‘Barbie Culture’ and Naomi Wolf’s ideas of the ‘Beauty Myth’ and the undefying male gaze which perhaps subconsciously or consciously affects us as noted above in the conversation with Millie and Anne (Couple 1) about how she reaps acceptance.
  • I found Miriam’s approach to body image and self-perception interesting and refreshing, not wanting to conform with societies ideals and instead lives her life for herself, not for a curated Instagram stream or a ‘Barbie Doll figure’.

Three Ladies Getting Ready to Go Out in Liverpool:

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  • Anne introduces the new scene discussing how the content and covers of magazines filled with celebrities, footballers wives, etc, has had an effect on how we see ourselves and what we do to change how we look to feel good and to ‘fit in’.
  • “Liverpool is the Glam Capital of the UK … people in Liverpool will spend 3 times more on average, on looking ‘good’ than anywhere else in the country” – Anne
  • Three ladies are out shopping prior to getting ready, with rollers in their hair and state that before they even go out will spend around £100 each on makeup and clothes before they go out – getting their makeup done at a professional salon – showcasing alone how consumerism is feeding the beauty and fashion industries more and more due to social media and celebrity influences.
  • Ladies discuss their surgery endeavours – botox, lip liner tattoo, eyebrow tattoo, lip filler. The makeup artist, Eve, states that at one point of her life she was so self-conscious of her lips that she would cover them up when out on dates due to lack of confidence and not liking her appearance. This led on to Anne asking her about whom her influences are in regards to her lip shape, and eyebrow shape, this was her response which resonated with all of my research I have done so far in regards to influence from celebrities, in particular ambassadors of trends such as Kim Kardashian; “I think Kim Kardashian has definitely been a big influence in my life … I’d love to look like her” showcasing again how cultural icons and celebrity can have such influence on everyday peoples perceptions, lives, thoughts and actions.
  • In addition, when asked if any of the girls have had breast augmentations, one said she had, and the other said she hasn’t but, “would love too” and Eve expressed that living in a city with so many models, WAGS and celebrities, and where “fashion is such a big thing, it is all you are looking at. Image, and body image and you should look like this and that, it all gets on top of you, subconsciously I think more than anything else as well like, you’re just looking at it thinking my lips need to be bigger, and don’t think why they need to be bigger” evidencing the points made previously in my research regarding the influences of social media and the likes of cultural icons such as Kylie Jenner, almost enforcing rules and standardising women (and men to some extent) to become a representation of them and what they have become, in turn showcasing their power, status and iconography as a celebrity, or influencer. I found this response from Eve very honest, and found that it is the truth behind the research question I am currently undertaking – admitting the issues, undergoing, or undergone the changes needed to standardise oneself and idolising women such as Kim Kardashian as the modern day ‘ideal’.

Morta Helhah:

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  • 27, Luton, Dresses in Traditional Islamic Clothing
  • States that the garments are loose to cover the sacred parts of ones body which are for oneself and to be shared with family. States she thinks people who don’t cover their bodies are more likely to be more conscious, than those who do as allows for less judgements and allows for one to be judged on personality and intellect. This is an idea which I hadn’t thought about too much previously, however on a cross-cultural level it is interesting to see on the documentary how badly received this traditional, religious dress is in the UK even though by those whom wear it see it as a positive, empowering and ‘right’ by their cultural standards and ideals. I feel this highlights the ignorance of some in the UK, but perhaps this is due to lack of understanding, education and exposure in the media in a world and country specifically whereby we are now so multi-cultural. Perhaps if this changed, in the same was as a more diverse range of models were used in fashion campaigns, there would be less issues, mental health troubles, perceptions, negative connotations and ignorance.
  • It also stands out relative to Identity theories such as Social Identity noted by John Turner (1986), whereby, “a person’s sense of who they are depends on the groups to which they belong”. This also however, stands true to all of the above analysis and conversations noted from the documentary. Each person interviewed strived to change their looks and therefore their ‘identity’ to conform with a certain lifestyle.
  • Many argue the use of this conservative dress in debates surrounding feminism and female oppression, however this is down to personal interpretation and opinion, but to many is a positive in a highly demanding world.

Luisa Omielan:

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  • 34, Stand-up Comedienne
  • Discusses how her work allows her to be brave, bold and daring using humour as a way of sharing her ideas on how society has shaped itself – trends regarding ‘thigh gap’ fad, and how this is the ‘ideal’ look went viral online with 40m views. Luisa states you have to be brave enough to say, this is what my body is like, I am happy with it and so should you. Doing so through comedy allows this to be tackled in a light-hearted, yet honest way.
  • I found her approach refreshing and humorous and resonated with the satirical approach I have been using with my practical experiments, posters and Instagram posts to date.

Source:
BBC One and Anne Robinson. (2016). Britain’s Secrets with Anne Robinson: Body Image. Available: http://www.bbc.co.uk/iplayer/episode/b080byvs/britains-secrets-with-anne-robinson-3-body-image-secrets. Last Accessed: 20th October 2016.
B-EAT. (2016). Statistics. Available: https://www.b-eat.co.uk/about-beat/media-centre/information-and-statistics-about-eating-disorders. Last Accessed: 21st October 2016.
Turner, J. C., & Tajfel, H. (1986). The social identity theory of intergroup behavior. Psychology of intergroup relations, 7-24.

Article: Kendall and Kylie Jenner Talk Self-Perception, Young Men and Forever New Line (2016)

This is working towards objective 1, 4.C.

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I came across this article whilst reading about Kylie Jenner and her issues with low self-esteem online. I found this article interesting in a sense that it continues on almost from the ideas of self-perception and technologies as discussed in previous posts in detail.

Media or various forms, has projected the Jenner sisters into stardom, without having much of a choice. Below are quotes taken from the article along with questions written by the interviewer.

I found it interesting in particular, and extremely relevant that Kendall, now a Fashion model, notes that there isn’t an ideal, however through her career choices she becomes an ideal and becomes a ‘cultural icon’ as discussed previously by Mary F. Rogers. I also found her choice of wording in that “it’s not a genuine living” intriguing as this almost depicts the sense that she is aware she doesn’t live necessarily, ‘in the real world’ and therefore even if she didn’t intend to create a well-wanted image, it would of happened naturally anyway due to the media.

In relation to Kylie’s comments about being ‘natural’ I found this perplexing as even disregarding her ‘non permanent lip fillers’, she is know to wear makeup, have her own cosmetics brand and go to the gym/work out to achieve and maintain the body she wants, therefore making her quite the obvious. But in relation to the company she most likely surrounds herself with, being all she knows in the ‘real world’, she probably is actually quite ‘natural’.

For all their popularity and consideration on their looks, how do the Keeping Up With the Kardashians stars manage the steady investigation?

“It’s so weak,” Kendall said. “Particularly in this world, everybody takes a gander at you with an amplifying glass.”

“I imagine that that is simply idiotic in light of the fact that nobody is flawless,” Kendall told News Corp Australia.

“I know probably the most wonderful individuals out there and … I know they’re not immaculate, whether that is on the outside or within. Nobody will ever be flawless, so it’s only moronic to put somebody’s face on a magazine spread saying, ‘this is the thing that you ought to resemble.’ It’s sort of my occupation yet it’s not genuine living.”

Good examples

She has OTT lips, continually evolving hair (she’s been a blonde, brunette and had blue and green bolts) and general ‘I couldn’t care less what anybody supposes’ state of mind.

Kylie Jenner doesn’t bow to desires despite the fact that she’s a good example to young ladies.

“I don’t feel like insane weight in light of the fact that I generally stay consistent with myself,” Kylie said.

“I generally attempt to empower young ladies that admire me … to, as, not have any desire to be precisely like me. I would prefer not to urge young ladies to have blue hair and do whatever I do. I need to urge them to simply thoroughly act naturally on the grounds that that is the thing that I’ve generally done.”

Source:
Unknown. (2016). Kendall and Kylie Jenner Talk Self-Perception, Young Men and Forever New Line. Available: http://www.fashiontob.com/relationships/kendall-and-kylie-jenner-talk-self-perception-young-men-and-forever-new-line/. Last Accessed: 20th October 2016.

Social Network and Self-Perception Presentation (2015) by Bronte Mcmillan

Whilst researching Kylie Jenner and her self-perception issues, I stumbled across this presentation and found it very interesting to read and extremely relevant to my research question, in particular Social Media.
The main points I took away from the quotes/extracts shown below, are that, Social Media ultimately is a platform which allows us to share images of oneself which are desirable to others, and project an image which we want to convey. I also found Wong’s (2012) point that, we only present ourselves in a manner that we want to be seen – “our desired selves” – once again hinting at a narcissistic world of self-awareness, self-obsession and self-branding. This is further emphasised by technologies, as noted by Kraut et al., (1998) whereby a world of curated galleries on Instagram for example will allow the above to happen autonomously, naturally and distinctively in a world where “Internet usage in particular, will continue to transform economic and social life on a global scale”.

“The social comparison theory was first discussed by Leon Festinger (1954), he described it s the instinct that humans have to assess their abilities and opinions. When we are unsure about our abilities and opinions, this theory states that we establish our own personal and social worth based on how we compare to others (Psychology Today, 2015).”

“Information and Communication Technology is rapidly becoming an accelerator of political, economic, social and educational globalization” (Agbatogun, 2012).”

“Self-presentation among people tended to lean towards their desired selves and away from their undesired selves” (Wong, 2012).”

“Primary motive for presenting oneself on the internet sites was aimed to convey desired images to the others” (Wong, 2012).”

“Economists, social scientists, and technologists believe that the rapid advances in technology, and the huge
increase in Internet usage in particular, will continue to transform economic and social life on a global scale
(Kraut et al., 1998).”
Social comparison:
Social comparison divided into 2 factions:
1. Upward social comparison
2. Downward social comparison
Can be divided into positive and negative:
1. Positive = drive to succeed
2. Negative = social isolation, negative thoughts
Upward Social Comparison
1. Positive: makes you feel better about self/ self enhancing.
2. Negative: bullying
Downward Social Comparison
Split into positive and negative:
Twitter
Avatar Comparison
Identity tourism
Linked to self-concept
When less appealing compared to others, act bad.

Source:
Bronte Mcmillan. (2015). Social Network and Self-Perception. Available: https://prezi.com/ve5wnunhbqof/social-network-and-self-perception/#. Last Accessed: 20th October 2016.

 

Interview with International Supermodel Confirmed 

This is working towards objective 1 and 3.

I have confirmed an interview with an International Supermodel regarding how the Fashion and beauty industries may affect her own perception.

At present I cannot name her due to confidentiality agreements that her name would not be disclosed online, only on physical paper submitted for marking. This complying also with the Ethics Policy underpinned by the college ensuring fair practice and ethical research is taking place, not damaging or harming myself or the participant.

I am currently trying to collate my research into to put together relevant, concise and accurate questions in order to gather the required information to assist with the unpicking of my reseach question.  I have the option to either visit her in person in January or I can Skype her between now and January if said interview is ready and confirmed.  I simply want to make sure I utilise the opportunity to gain the best information as this will be my only chance to speak to such a person with an incredibly high status within the Fashion industry. After interviewing Samantha Ravndhal via Periscope quite suddenly and unexpectedly I didn’t feel I got the most out of it. I did get very good information and first hand research which has proved to help my practical projects and research, so want to ensure that this opportunity is not lost.

I feel after talking to Samantha and gaining honest insight in how a career within the Beauty Industry affects her, it will be really interesting to speak with someone from the Fashion Industry also for comparison and analysis.